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Francisco de Goya « La Lettre, la Flèche et le Balai »
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Why have these two paintings, The Young Women and The Old Women, always been presented together? Historical investigation does not provide an answer. Alain Jaubert then sets out to follow the trail, patiently gathering clues: both paintings depict a lady and her servant. But while in The Young Women a “maja” is shown in a street scene that seems to belong to the European literary tradition, in The Old Women, Goya portrays an aging coquette and her servant, rendered as caricatures. The diamond arrow worn by the coquette is a clue that helps interpret these two paintings... As this “audiovisual autopsy” unfolds, the works come together to form a kind of fable about destiny—both that of Spain, devastated by the Napoleonic wars, and that of the painter himself, aged and disillusioned, who finds renewed energy in a new love.
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Creators
More by Alain Jaubert
Full filmography →Homère
2010
Théodore Géricault « La beauté du désastre »
2002
Hokusai « La Menace suspendue »
1999
Shitao « L’Unique trait de pinceau »
1999
Andy Warhol « Ten Lizes »
1999
Le Dernier Regard – L’Européenne, portrait du Fayoum
1998
Pierre Bonnard « Le mimosa mimétique »
1998
Miniature persane « Les Jardins du Paradis »
1997